Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.

Continuing the storyline of The Gathering Storm, Churchill at War is a look at the former British prime minister's life and career at the end of WWII.

Wondering about the meaning and modalities of their triage, presumably to live or burn, Jewish Auschwitz barrack mates start to debate on how or why God can allow (his) people to suffer such fatal misery, which even further divides a devout father and his liberal son. They eventually form a Thora court, which hears theological argumentation as well as practical considerations.